The Very Best of the Manhattan Transfer

Few groups have a more distinguished pedigree than the Transfer. Since their formation in New York in 1972, these four voices (two male, two female) have notched up numerous gold and platinum albums, and accumulated a shelf full of Grammy's. Their performance of "A Nightingale Sang In Berkeley Square" (included here) won a Grammy for its Gene Puerling arrangement. With collaborators Jon Hendricks and Richie Cole, they promulgated the use of the vocalese technique-singing lyrics over jazz solos. They had their biggest hit of their career, with "Boy From New York City," in 1981, when it went to number seven. "Route 66" and "Tuxedo Junction" were made famous by Nat King Cole and Glenn Miller respectively ("Route 66" won the group yet another Grammy in 1983). "Birdland" was originally recorded by Weather Report; with the addition of Jon Hendricks' lyrics, a Transfer classic was born. This is required listening for vocal jazz fans.

This is an excellent collection of many of the high points of the Manhattan Transfer's first decade, demonstrating both their reach and their grasp as they draw material from swing, modern jazz, and doo-wop into their own distinctive style. There's a tongue-in-cheek cool that connects the swing of Erskine Hawkins's "Tuxedo Junction" to the elemental girl-group harmonies of "Boy from New York City" and the TV themes like "Route 66" and the variations on the "Twilight Zone." More traditional jazz skills, though, are apparent in their renditions of some Jon Hendricks vocal classics. Composer Jimmy Giuffre plays saxophone on their version of his "Four Brothers," a key theme for bandleader Woody Herman, while there are also stellar renditions of Weather Report's "Birdland" and the standard "A Nightingale Sang in Berkeley Square." It's an entertaining collection by a group that's never let itself be confined by the expected. --Adam Rains