Leonard Cohen: I'm Your Man from Various Artists Leonard Cohen

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Songwriter. Poet. Counter-culture icon. Consummate ladies' man. Leonard Cohen is one of the most original and enduring artists to emerge from the 1960s. Director Lian Lunson's critically acclaimed new film, Leonard Cohen: I'm Your Man is an intimate look at the songs, poetry and life of one of music's most celebrated and influential troubadours. The film and the soundtrack CD feature powerful live performances of Cohen masterpieces by an impressive array of today's top singer-songwriters from the historic Came So Far for Beauty tribute concerts produced by Hal Willner.

Already an accomplished poet and novelist before he ambled into the music business in his mid-'30s, Leonard Cohen has remained as musically influential as he is publicly enigmatic for four decades. This celebration of Cohen's songbook began as a free concert that quickly mushroomed into a star-studded live tribute film shot at Sydney's famed Opera House and Brighton Dome. Musically supervised by Hal Willner (who's produced similar recorded tributes to Mingus, Monk, Rota and Weill), it recasts Cohen's evocative, emotionally uncompromising songs in compelling performances by singers who range from fellow cult heroes Nick Cave and Beth Orton to energetic newcomer Teddy Thompson and even rock gods U2. The latter's powerful collaboration with Cohen himself on the signature "Tower of Song" bookends Martha Wainright's solo opening rendition of the composition, deftly underscoring the project's eclectic artisanship in the bargain. Cave somehow channels the title track through Chicago's South Side via Weimar Berlin, while Teddy Thompson ponders "The Future" with exuberance and The Handsome Family informs "Famous Blue Raincoat" with elegant melodrama. Other standouts include Rufus Wainwright's nouveau Tango work-up of "Everybody Knows," Perla Batalla's gorgeous, Norteño-seasoned "Bird On a Wire" and her collaborations with Cave and Julia Christenson on "Suzanne" and "Anthem." A collection that's both a savvy primer to Cohen's catalog and impressive artistic achievement in its own right. --Jerry McCulley