Ghost Reveries

Ghost Reveries is bound to stand shoulder to shoulder with bands like The Mars Volta, System Of A Down and Queens Of The Stone Age. The band continues to push the boundaries of extreme music through incorporating acoustic interludes and soothing vocals with hammering rhythms, abrasive guitars and a primal guttural roar. Roadrunner. 2005.

Opeth's Ghost Reveries is a Prog/Death masterstroke, becoming more simplistic in places while expanding the overall template. Having explored their split personalities in great detail on Deliverance and Damnation, Opeth pulls them back together for Ghost Reveries, and in the process they have once again upped the ante on what a Death Metal band can accomplish. While there is a bolder use of instrumentation on this release, the rhythms and time changes have simplified just a bit, giving the songs on Ghost Reveries a more direct impact. Both the harsher and softer aspects have made the band more well-rounded, from the rousing organ in "The Baying of the Hounds," to the use of Middle Eastern polyrhythms in the beautiful "Atonement." But the integration of the two styles does not mean the band has necessarily mellowed. The album opens with mere seconds of tranquility before blasting into the meat of "Ghost Of Perdition," and "The Grand Conjuration" is as dark and powerful as anything they’ve done. Opeth is a band that doesn’t rest on its laurels, and Ghost Reveries is majestic, epic music. In smaller scope, it attempts to do what Dark Side of the Moon and Physical Graffiti did for Pink Floyd and Led Zeppelin. This is a metal album that endeavors to move beyond its specific genre.-- Robert Arambel